วันจันทร์ที่ 21 มกราคม พ.ศ. 2556

Parkour - Free Running

Parkour

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Parkour

Passement
Nickname(s) PK
Characteristics
Contact Non-competitive
Categorization Outdoor
Equipment None (all optional)
Olympic No
Parkour (French pronunciation: ​[paʁˈkuʁ]) (abbreviated PK) is a training discipline that developed out of military obstacle course training.[1][2][3]
Practitioners aim to move from one place to another, negotiating the obstacles in between. The discipline uses no equipment and is non-competitive. A male practitioner is generally called a "traceur", a female a "traceuse".
Developed by Raymond Belle, David Belle, Sébastien Foucan and other members of the original Yamakasi group, parkour became popular in the 1990s and 2000s through a series of documentaries and films featuring these practitioners and others.

Contents

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[edit] Etymology

"Le parcours" was the original word passed down to David Belle from his father Raymond Belle. This was the term Raymond used when speaking to David about the training he had done. The term derives from "parcours du combattant", the classic obstacle-course method of military training proposed by Georges Hébert,[4][5][6] but the term "le parcours" was used by Raymond to encompass all of his training including climbing, jumping, running, balancing, and the other methods he undertook in his personal athletic advancement. One day when David Belle was on a film set, he showed his 'Speed Air Man' video to Hubert Koundé, who suggested to change the "c" of "parcours" to a "k" because it was more dynamic and stronger, and to remove the silent "s" for the same reason. Belle liked the idea and officially changed the name of his discipline to "parkour".[citation needed]
A practitioner of parkour is called a "traceur", with the feminine form being "traceuse". The original term was simply "tracer" without the 'u' but the word has evolved and now is accepted as having a 'u.' They are nouns derived from the French verb 'tracer', which normally means 'trace',[7] or "trail", as in "he escaped without a trace". 'Traceur' and 'Traceuse' are nouns denoting the agent derivation of the verb 'tracer', or to trace, in French. A person who is called a tracer in English is referred to as a traceur (masculine) or a traceuse (feminine) in French. The term 'tracer' was originally the name of a parkour group headed by David Belle which included Sébastien Foucan and Stephane Vigroux.[8][9]

[edit] History

Though Sébastien Foucan states in Jump London that "le parkour has always existed, freerunning has always been there, the thing is that no one gave it a name, we didn't put it in the box," the roots of the modern discipline can be traced.
In Western Europe, a forerunner of parkour was French naval officer Georges Hébert, who before World War I promoted athletic skill based on the models of indigenous tribes he had met in Africa.[10] He noted, "their bodies were splendid, flexible, nimble, skillful, enduring, and resistant but yet they had no other tutor in gymnastics but their lives in nature." [10] His rescue efforts during the 1902 eruption of Mount Pelée on Saint-Pierre, Martinique, reinforced his belief that athletic skill must be combined with courage and altruism.[10] Hébert became a physical education tutor at the college of Reims in France. Hébert set up a "méthode naturelle" (natural method) session consisting of ten fundamental groups: walking, running, jumping, quadrupedal movement, climbing, balancing, throwing, lifting, self-defense, swimming, which are part of three main forces:[11] During World War I and World War II, Hébert's teaching continued to expand, becoming the standard system of French military education and training. Thus, Hébert was one of the proponents of "parcours", an obstacle course,[12] which is now standard in military training and which led to the development of civilian fitness trails and confidence courses.[10]
Born in what is now Vietnam in 1939, Raymond Belle was the son of a French doctor and Vietnamese mother. He was cut off from his parents by the struggle for independence and sent to a military orphanage at the age of 7. Isolated there, he had to become stronger in order to survive. He took it upon himself to train harder and longer than everyone else in order to never be a victim. He would do extra training at night when everyone else was asleep, go for runs, climb trees. He would use the military obstacle courses in secret, but he also created courses of his own that tested his endurance, his strength, his flexibility. Doing this enabled him not only to survive the hardships he experienced during his childhood, but also eventually to thrive. In 1954, he returned to France and remained in military education until 1958, when someone who was impressed by his abilities suggested that he join the Paris fire-fighters.[13][14]
In the fire fighters, he made a name for himself as someone who would always go first, always volunteer for the dangerous assignments. When others were still hesitating, he would act. He was involved in many rescues, some dangerous and daring, and received both citations and medals. He also involved himself in athletic pursuits throughout his career and was a French military champion several times in more than one event. After leaving the fire-fighters in 1975, he worked in the private sector, and continued to impress people with his efficiency.[13][14]
David Belle was born in 1973. He was raised by his grandfather, but remained in contact with his father. As a young boy, David was not gifted either physically or academically. He experimented with gymnastics and athletics, but became increasingly disaffected with both school and the sports clubs. As he got older though, he started to read the newspaper clippings that told of his father's exploits and got more and more curious about what had enabled his father to accomplish these feats. Through conversations with his father, he realised that what he really wanted was a means to become truly useful, developing skills that would be useful to him in life, rather than just training to kick a ball or perform moves in a padded, indoor environment.[14][15]
Eventually, through conversations with his father, he learned about this way of training that his father called 'parcours'. He learned of the hours spent on obstacle courses, and of moving from branch to branch in the forest. He heard his father talk of the hundreds and thousands of repetitions he had done in order to find the best way of doing things. What he learned too was that for his father, training was not a game but something vital, something that enabled him to survive and to protect the people he cared about. David realised that this was what he had been searching for and so he began training in that way too. After a time, he realised it was far more important to him than schooling and he gave up his other commitments to focus all his time on his training.[15]
Initially David trained on his own, however later he found other people (including his cousins) who had similar desires and they began to train together. Gradually, the training ideas were passed on to others who came to learn and the number of practitioners expanded slowly, but as the practising became more like a discipline than a pastime, many people would leave the group. The core group that would develop what we today know as parcours, parkour, l'art du déplacement and freerunning were: Châu Belle Dinh, David Belle, Williams Belle, Yann Hnautra, Sébastien Foucan, Laurent Pietmontesi, Guylain N'Guba Boyeke, Malik Diouf, and Charles Perriére. In the late 1990s, after David's brother sent some pictures and video to a French TV programme, parkour's recognition and popularity began to increase. A series of television programmes in various countries subsequently featured video footage of the group, and as the popularity increased, they began to get more and more offers. Eventually, the original group split apart to pursue different goals, some staying with the discipline and others leaving. The number of practitioners in total though kept on increasing and parkour's popularity began to spread around the globe through television, feature film and increasing use of online video-sharing methods.[14][16]

[edit] Philosophy and theories

According to Williams Belle, the philosophies and theories behind parkour are an integral aspect of the art, one that many non-practitioners have never been exposed to. Belle trains people because he wants "it to be alive" and for "people to use it".[17] Châu Belle explains it is a "type of freedom" or "kind of expression"; that parkour is "only a state of mind" rather than a set of actions, and that it is about overcoming and adapting to mental and emotional obstacles as well as physical barriers.[17]
A newer convention of parkour philosophy has been the idea of "human reclamation".[18] Andy (Animus of Parkour North America) clarifies it as "a means of reclaiming what it means to be a human being. It teaches us to move using the natural methods that we should have learned from infancy. It teaches us to touch the world and interact with it, instead of being sheltered by it."[18]"It is as much as a part of truly learning the physical art as well as being able to master the movements, it gives you the ability to overcome your fears and pains and reapply this to life as you must be able to control your mind in order to master the art of parkour."[19]
A point has been made about the similarities between the martial arts philosophy of Bruce Lee and parkour.[20] In an interview with The New Yorker, David Belle acknowledges the influence of Lee's thinking: "There's a quote by Bruce Lee that's my motto: 'There are no limits. There are plateaus, but you must not stay there, you must go beyond them. A man must constantly exceed his level.' If you're not better than you were the day before, then what are you doing—what's the point?".[12]
Traceur Dylan Baker says "parkour also influences one's thought processes by enhancing self-confidence and critical thinking skills that allow one to overcome everyday physical and mental obstacles".[17][21][22] A study by Neuropsychiatrie de l'Enfance et de l'Adolescence (Neuropsychiatry of Childhood and Adolescence) in France reflects that traceurs seek more excitement and leadership situations than do gymnastic practitioners.[23]
A campaign was started on 1 May 2007 by Parkour.NET portal[24] to preserve parkour's philosophy against sport competition and rivalry.[25] In the words of Erwan LeCorre: "Competition pushes people to fight against others for the satisfaction of a crowd and/or the benefits of a few business people by changing its mindset. Parkour is unique and cannot be a competitive sport unless it ignores its altruistic core of self development. If parkour becomes a sport, it will be hard to seriously teach and spread parkour as a non-competitive activity. And a new sport will be spread that may be called parkour, but that won't hold its philosophical essence anymore."[24] According to LeCorre, those who truly practice parkour have the same mind aspect of each other, therefore it brings people to work together rather than compete, it allows them to be united internationally and forget the social and economical problems which separated them globally, ultimately leading one giant community working and growing together.

[edit] Movement

A pair of parkour techniques: A wall climb to a top out
There is no official list of "moves". In many cases effective parkour techniques depend on fast redistribution of body weight and the use of momentum to perform seemingly difficult or impossible body maneuvers at great speed. Absorption and redistribution of energy is also an important factor, such as body rolls when landing which reduce impact forces on the legs and spine, allowing a traceur to jump from greater heights than those often considered sensible in other forms of acrobatics and gymnastics.
According to David Belle, the practice is to move in such a way that will help you gain the most ground as if escaping or chasing something. Also, if you go from A to B, you need to be able to get back from B to A, but not necessarily with the same movements or "passements". Despite this, there are many basic versatile and effective techniques that are emphasized for beginners. Most important are good jumping and landing techniques. The roll, used to limit impact after a drop and to carry one's momentum onward, is often stressed as the most important technique to learn.

[edit] Risk of harm

Parkour is not widely practiced in dedicated public facilities such as skate parks. Although efforts are being made to create places for it, some traceurs do not like the idea as it is contradictory to the philosophy of freedom.[26] Traceurs practice parkour in urban areas such as gyms, parks, playgrounds, offices, and abandoned structures. Concerns have been raised regarding trespassing, damage of property,[27] and the practice in inappropriate places.[28] However, most traceurs will take care of their training spots and will remove themselves quickly and quietly from a public place if asked. One of parkour's values is to respect people and places as well as helping others. One of the first campaigns to preserve this sort of philosophy is the 'Leave No Trace' project, stressing the importance of training safe, respecting the environment and the people around you.[29][30][31]
Concerns have been raised by law enforcement and fire and rescue teams of the risk in jumping off high buildings.[32] They argue that practitioners are needlessly risking damage to both themselves and rooftops by practicing at height, with police forces calling for practitioners to stay off the rooftops.[27][33][34] Some figures within the parkour community agree that this sort of behaviour is not to be encouraged.[33][35][36][37]
American traceur Mark Toorock says that injuries are rare "because participants rely not on what they can't control – wheels or the icy surfaces of snowboarding and skiing – but their own hands and feet," but Lanier Johnson, executive director of the American Sports Medicine Institute, notes that many of the injuries are not reported.[38] When injuries do occur, many members in the parkour community encourage pursuing the most scientifically sound method to recovery and future prevention.[39]

[edit] Equipment


A traceuse vaults an obstacle.
There is no equipment required, although practitioners normally train wearing light casual clothing:[40][41]
  • Light upper body garment such as T-shirt, sleeveless shirt or crop top if anything is worn on the upper body;
  • Light lower body garment such as sweatpants, some wear tracksuit bottoms or shorts.
Comfortable running shoes, ones that are generally light, with good grip and flexibility are encouraged. Various sport-shoes manufacturers, such as Nike, with its "Free run" shoes, have developed shoes specifically for parkour and freerunning; and many other companies around the world have started offering parkour-specific products. Some practitioners use thin athletic gloves to protect the hands;[42] most do not, preferring the increased grip and tactile feedback.[43][44] Since parkour is closely related to méthode naturelle, practitioners sometimes train barefooted to be able to move efficiently without depending on their gear. Some traceurs also use the lightweight feiyue martial arts shoes. David Belle notes: "bare feet are the best shoes!"[45]

[edit] Freerunning


Dash vault and wallspin
According to its creator, Sébastien Foucan, "Freerunning is the art of expressing yourself in your environment without limitations: It is the art of movement and action." He says freerunning developed from parkour when he started making it more personal to the individual, adapting it to each person's strengths and weaknesses.[46]
Both parkour and freerunning contain the ideas of overcoming obstacles and acting as an individual; in freerunning, though, the greater emphasis is on acting as an individual.[46]

[edit] Popular culture

There have been a few documentaries about parkour on major television networks. Jump London is a 2003 documentary which explains some of the background to parkour and culminated with Sébastien Foucan, Johann Vigroux, and Jérôme Ben Aoues demonstrating their parkour skills. Jump London was followed by Jump Britain in 2005, which featured Foucan and Ben Aoeus. My Playground, a documentary film by Kaspar Astrup Schröder, explores the way parkour and freerunning are changing the perception of urban space and how the spaces and buildings they are moving on are changing them.[47] The Australian TV program 60 Minutes broadcast a segment about parkour on 16 September 2007, featuring Foucan and Stephane Vigroux.[48]
There have also been a number of films featuring elements of parkour; after including parkour practitioners in a chase sequence in the film Taxi 2, French director/producer Luc Besson produced a feature film, Yamakasi, featuring members of the original Yamakasi group. In 2004, Besson wrote Banlieue 13, another feature film involving advanced chase sequences, starring David Belle and Cyril Raffaelli; English-dubbed and -subtitled versions were released in 2006 as District B-13 in North America and the UK.[49][50] The film Casino Royale features Sébastien Foucan in a chase taking place early in the movie. Casino Royale's release sparked a renewed media interest in parkour and related disciplines and a large amount of recent mainstream parkour coverage dates to around Casino Royale's release.[12] Along with The Bourne Ultimatum, Casino Royale is credited with starting a new wave of parkour-inspired stunts in Western film and television.[51] Parkour practitioners also feature prominently in the film Breaking and Entering, in which two of the characters climb buildings and run over rooftops to burgle an office in Kings Cross, London.[49][50] Parkour was also involved in the film Prince of Persia: The Sands of Time. David Belle was hired as choreographer for some scenes in the film and appears in the DVD and Blu-ray featurettes. Most of Akshay Kumar's ads for 'Thums Up' brand feature him jumping and climbing around buildings and vehicles. Aamir Khan learned parkour for his role in the 2011 movie Dhoom 3.[52]
The webcomic Schlock Mercenary makes frequent reference to "Parkata Urbatsu"[53][54] which is said to have grown "out of the ancient disciplines of parkour, urbobatics, and youtubing. It is a martial art that focuses on both pursuit and escape in developed environments, with an eye towards the aesthetic."[55]
A number of video games include aspects of parkour as major gameplay elements. In the Assassin's Creed series of games, Altaïr, Ezio and Connor make heavy use of parkour-inspired movement, though it is named freerunning in the game.[56][57][58] Crackdown and Crackdown 2 include an emphasis on gripping and vaulting from ledges and protruding objects, which are designed to make players feel fully in control of their own movement, and by extension fully in control of their environment.[59] Tony Hawk's American Wasteland allows the character to use several movement techniques while not on the skateboard. In this game as well, parkour is referred to as freerunning.[60] Mirror's Edge's core gameplay consists of moving around buildings and other obstacles, and made movement itself the goal.[61] Tron Evolution's basic movements and combat were based on parkour and capoeira.[62] Prince of Persia incorporated elements of parkour, which were important when creating the film.[63]

[edit] Military training

Although parkour itself grew out of military obstacle-course training,[13][14] it has since developed separately. After the attention that parkour received following the 2006 film Casino Royale, military forces around the world began looking for ways to incorporate modern parkour into military training. The British Royal Marines hired parkour athletes to train their members.[64] Colorado Parkour began a project to introduce parkour into the U.S. military[65] and parkour is slowly being introduced into the United States Marine Corps.[66]

วันอังคารที่ 8 มกราคม พ.ศ. 2556

Linkin Park - Living thing from Neogef.com










Originally Posted by LPassociation.com:
LIVING THINGS is the fifth studio album from Linkin Park and is set for release June 26th (US) 25th (UK/EU) 22nd (AUS/NZ) 2012. The album is the follow up to A Thousand Suns which saw a release in September 2010, making this the shortest turn around time for a Linkin Park album ever. The album is once again co-produced by Mike Shinoda and Rick Rubin who also shared the responsibilities on their previous two albums, Minutes To Midnight (2007) and A Thousand Suns (2010).

The title of the album has been described by Mike Shinoda as a comment on the personal issues the album deals with: "We chose the album title 'Living Things' because it's more of a record about people. It's more about personal interactions. On the last few records we've had an interest in global issues and social issues and those things are still around, there are certainly traces of them, but this record is far more personal."

Mike Shinoda has described LIVING THINGS as a "firecracker" record filled with quick stand-out tracks stating that LIVING THINGS is "not a concept record. It's a song based record". The band have also touted LIVING THINGS as a foundation of all of the band's previous work, a collective use of all of the "tools in their toolbox" which allowed the band to be "comfortable in their skin" for the first time, by embracing both the past and present of Linkin Park.

LIVING THINGS is available in both digital and physical formats, although no CD / DVD Digipak is available compared to their previous albums. The Japanese version will be released June 27th and features an additional bonus live track: What I've Done (Live from iTunes Festival) - 04:05.
Originally Posted by Mike Shinoda, Complex interview:
It doesn’t lose any of the creativity of the newer stuff and it brings in the energy of the older stuff. It’s kind of a comprehensive sound. I feel like we’ve been able to take all the stuff we’ve learned on the way and put it all together in each song and still keep it fresh and forward-thinking. Read More.
Originally Posted by Chester Bennington, Kerrang Interview:
"with this [new] album, we've incorporated a lot of guitar work with big choruses and the heavier electronic stuff to give it that really big wall of sound feeling without getting too metal. This will be more familiar to people than A Thousand Suns was, where we were like 'Fuck it, we're just going to go bonkers. Read More.



1. "Lost in the Echo" 3:23
2. "In My Remains" 3:19
3. "Burn It Down" 3:51
4. "Lies Greed Misery" 2:27
5. "I'll Be Gone" 3:30
6. "Castle of Glass" 3:23
7. "Victimized" 1:51
8. "Roads Untraveled" 3:44
9. "Skin to Bone" 2:48
10. "Until It Breaks" 3:46
11. "Tinfoil" 1:02
12. "Powerless" 3:36

Album length: Approximately 37 minutes.
*links lead to official lyric videos from the Linkin Park channel on Youtube.




Those who pre-order the album will get one remixed track from the album per month for 8 months. The first remix has been released.












Inside Living Things (Making Of Video)


Living Things Album Teaser


Burn It Down (1st single) Music Video


Lies Greed Misery Live (PinkPop 2012)


Burn It Down Live (Rock Am Ring 2012)


Tinfoil (instrumental) + Faint Live





Originally Posted by The Guardian:
Living Things is more personal than A Thousand Suns, with underlying themes of recovery from traumatic experiences. The exception, Burn It Down, delivers an antiwar sentiment via Depeche Mode-y electro-bounce, while the similarly standout Roads Untraveled is an eerie confessional ballad. Living Things would have benefited from more of such adventure, but they still sound like a band enjoying an unexpected second life. Read More.
Originally Posted by Entertainment Weekly:
Linkin Park's fifth album opens with ''Lost in the Echo,'' a torrent of hate-your-parents guitars and suburban-ennui boom-bap that could have come from the group's 2000 debut. Living Things doesn't totally retreat from 2010's art-aggro detour A Thousand Suns; bits of noise-pop schizophrenia surface on late-arriving shape-shifters ''Skin to Bone'' and ''Until It Breaks.'' But what remains is a barrage of cyber-metal elbow jabs, with just enough fluffy new-wave padding to soften the onslaught. B Link
Originally Posted by Toronto Sun:
Growth. Evolution. Call it what you want; bottom line is Linkin Park aren’t getting stuck in any ruts. With their fifth disc, the restless California rockers continue to explore new sonic and stylistic terrain, eschewing traditional sounds and songcraft for a bold hybrid that utilizes everything from hip-hop to electronica to punk to reggae — yet ends up forging its own unique identity. Respect. Link
Originally Posted by Artist Direct:
Not only is Living Things one of the best albums of the decade, it's a new classic. Once again, Linkin Park raise the bar. This is a hybrid like you've never heard and won't again—until their next album. The world's been crying out for a great rock album, and this is it. Read More.
Originally Posted by Noisecreep:
LIVING THINGS clocks in at a brisk 37 minutes, perhaps leaving the listener wanting more - which is rarely a bad thing to do. But there is not one wasted second and it certainly satisfies. Based on Noisecreep's first listen, we are pretty certain this will be one of the most talked about (and played) albums of the summer. Powerful, hypnotic and thoroughly true to form, this is a brilliant, definitive collection that represents an important band at its peak - yet again. Read More.




Last edited by Hydrogen Bluebird; 06-22-2012 at 06:55 AM.

Kanchanapisek Wittayalai Suphan Buri

History

On the occasion of the happiness agenda is His Majesty King Bhumibol Adulyadej came to the throne after 50 years of service Twanl crowned on June 9, 2539 the Ministry of Education. By the Department of Education. Ministry of Education to recall the grace of God towards his subjects and situations in Thailand and to see the importance of education in order to develop individual Nation to develop and effectively. Of his duties, his works reflect. That he committed. Heart to promote. Cultural studies. Students and youth of the nation. The population. His growth as a citizen of a great nation in the future with a government of those days. To accelerate the expansion of educational opportunities. For children and young people have been educated at the high school level. Throughout the central and regional levels. In particular, the policy is to spread prosperity to the region.

With a sense of the grace of God. Department of Education that the school recognizes Ppr.
College is a school in the patronage of His Majesty King Bhumibol Adulyadej.
The male students were transferred to the custody of the Department of Education. Ministry of Education in 2517 by the Committee on College Education Foundation. Have the Minister of Education at that time was Mr. Chan stainless forgiveness and asked to consider the approval in principle.
To the school. Ppr. Imperial College. Royal School for the school. That may be set up in the next month.

And implementation of the school's students. Ppr. Royal college students.
The discipline. There is ethical manner. Leadership. Gentlemanly There is a strong body.
Knowledge can be a good role model. As this auspicious occasion. Department of General Education
Thus, the Board made the school a school. Ppr. Imperial College. In the various studies in honor of His Majesty the King. Bhumibol Adulyadej. On the occasion that I went Twanl ascend the throne after 50 years.

From the Department of Education said. Suphanburi. It is located in the school district 5 has been determined by the Department of Education to establish schools. Ppr. Imperial College. T In honor of King Bhumibol Adulyadej of Songkla University. On the auspicious occasion. The King.
King Bhumibol Adulyadej. 50 years have given full reign as the school's first title. "His Majesty the King Bhumibol Adulyadej. A 50-year reign district bamboo transverse Muang Suphan Buri province ".

She later received a greater grace of His Majesty.
Given that the new school. "Alma School Rd Kanchana Buri" is school Department.

General Education, was established on February 27, 2538 along with the Kanchana School Rd.

Another eight schools in the school Kanchana York College Rd.
School Rd Kanchana Kanchana College London School Rd College London.
School Rd Kanchana Kanchana College London School Rd College London.
School School Rd Kanchana Kanchana Kalasin School Photography School Rd.
Kanchana School and College Rd, Chachoengsao.

For Suphanburi. Considered public land in Nong Pla Duk.
Moo 1, Tambon Muang Suphanburi bamboo block with an area of ​​94 rai 3 ngan.
58 meters from the site of the school Kanchana Buri College Rd.


Logo


KPSP



Unique identity


Vision
Kanchanapisekwittayalai Suphanburi : World Class Standard School